LinkedIn thought leader ad examples

I hope you’ll take a moment to check out the newest issue of Foreign Affairs…from Iran’s coming transformation to the new Eurasian order, you will find a variety of thoughtfully curated essays about the current geopolitical landscape. Read the new issue here: https://lnkd.in/eVW6r88X

Long before fame and flashing lights, artists find their voice in spaces like this: intimate venues built with care for creators and community alike. The Argo, a new 700-cap venue opening in Milwaukee, is one of those spaces: artist-first, locally rooted, and designed for connection on and off the stage. In my latest newsletter, I spoke with co-founder Andrew Coate about what it takes to build the future of live music from the ground up. 🎸 Read it here ⬇️

Cyberdrone Drone Shows made #Eurovision shine. But what the audience saw for 17 minutes was built on months of groundwork: local teams, offices, drones, logistics, permissions, coordination, and control. When you’re in the region, you don’t need to adapt to complexity, you just manage it. And for projects at this scale, that matters.

Cyberdrone Drone Shows brought #Eurovision into the sky above Vienna. 3,000 drones forming the Eurovision symbol over Schönbrunn Palace. A city-scale moment that was seen far beyond the venue.

New Genre Bending, Hyper-Charged, Post Punk, Mind-Arena Energy-Music Score Work with ProdCo and BigTime Creative Shop for Riyadh Season starring KSI, Speed, and Mr Beast. ‘Try Not To Enjoy It’ is directed by Gibson Hazard (the hyper charged visual alchemist behind projects for Drake, The Weeknd, and Travis Scott) this one’s pure adrenaline that never lets up The score needed to convey the escalations in competition, while playing to the contrasts between the highest levels of elegant, gentlemanly competition and extreme, adrenaline-inducing mind arena sprints. And also needed to lean into the humor in a cool way The score swings from prime-time sports face-off energy into new no waves of proto post-punk, then smashes through thx 80s synthwave territory into tension scored skewed Nolan-esque, wrong-prize-Oscar-meme story within a story theatrics. A Cy Dune-coded punk spirit layered with orchestral Oscar fanfare at the end before the back flip reality rug pull Elegant vs unhinged Cinematic chaos, big energy, humor that plays it straight but ridiculous, and music that feels like three genres colliding in slow motion. Hazard’s frame demands a soundtrack that is both architecture and explosion The music lives in that tension. Try Not To Have Fun Watching It 🤯 🤯 🤯 🤯 FULL CREDITS Director: Gibson Hazard Production Company: ProdCo ProdCo Co-founders / EPs: Ian Pons Jewell & Zico Judge Managing Director / Partner / EP: Jon Adams Head of Production: Sam Levene Producer: Doochy Moult Production Manager: Carmen Griffiths PAs: Matt Papworth, Manuela Sanchiz Garin DOP: Octavi Arias Creative Director: Jak Bannon 1st AD: James Sharpe Production Designer: Tim Gibson Wardrobe Stylist: Verity May Lane Hair & Make Up Artist: Freddie Stopler Client: Riyadh Season | موسم الرياض Agency: BigTime Creative Shop Chairman of General Entertainment Authority: Turki Alalshikh Chief Executive Officer: Mohammed Sehly Chief Creative Officer: Rayyan Aoun Creative Director: Saymon Medeiros Senior Agency Producer: Inas Nagy Associate Creative Director: Hazem Kamal Senior Copywriter: Eoin Cronolly Senior Art Director: Gustavo Martins Bilésimo Senior Editor: Mohamad Al Qarawi Head of Strategy: Callie Dickens Head of Innovation, Digital & Social Media: Nael Girgis Chief of Staff: Basma Sihli VFX: CGF Visual Effects Studio VFX Supervisor: Pavel Bezborodov VFX Supervisor On Set: Denis Reva Producers: Ekaterina Averina, Aleksandr Gorokhov VFX Coordinator: Irina Yakhnovskaya Edit: tenthree Editors: Sam Bould , Elena De Palma Assistant Editor: Rebecca Campbell EP: Sophie Honour Color: Alexander Zolotarev Sound Design & Mix: George Castle & James Benn Audio post: Harbor Picture Company Music Supervision: Half Sour Music Supervisor: Jon Rust Music Studio: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Senior Music Post Producer: Maggie Flatley Lead Assistant Composer: Justin Michael Miller

Music, SFX, VO Record & Mix by Consortium. Nature Valley // “We Make Nature Delicious" created by The Martin Agency and directed by Ulf Johansson (Smith and Jones Films, LA & London). A neurotic woodland fable about envy, longing, and granola bars. These animals have it all, nuts, berries, fish, friendship, but one look at a Nature Valley Crunchy Bar and the whole forest comes undone. We handled music, sound design, VO record, and mix on this campaign, building a full sonic world for these slightly unhinged woodland creatures. Musically, the goal was to channel their jealousy and yearning without losing the humor or heart. We explored everything from Morricone-inspired tension and Desplat meets Tennessee Ernie Ford woodland army marches to old-Hollywood nature waltzes and vintage ballads of heartbreak. Ultimately, the magic landed in an unexpected place, a warm, nostalgic, orchestrated soul palette that felt both cinematic and emotionally ridiculous in the best way. The kind of sound that draws you in with warmth and makes you empathize with a raccoon’s existential crisis. We recorded hyper-detailed macro SFX (real leaf crunches, claw scratches, bar snaps, and crumble textures) and built out warm lush environments to elicit a tactile sense of the forest and the food. Everything is mixed with precision and absurd sincerity, grounding the comedy in the sound of “too real.” VO was treated like a film performance, rich, cinematic, naturalistic and slightly melancholy, mixed warm to give the animals’ neurotic delivery a kind of strange human warmth. An entire sonic ecosystem of music, SFX, VO, and mix crafted to make you feel for some existentially confused puppets who just want some tasty snacks. CREDITS Client: Nature Valley Agency: The Martin Agency Senior Producer: Mel Calabro Executive Producer: Nicole Lederman Producer: Marjorie Fajardo SVP, Group Creative Director: Anne Marie Hite SVP, Group Account Director: Chuka Schneider Executive Creative Director: Ashley Davis Marshall 🖨️ Creative Director: Lindsey King ACD/Copywriter: Natalia Davila Account Supervisor: Salem Nippa Account Director: Sophie Wolf Account Executive: Heather Haynes Business Affairs Manager: Suzanne Wieringo Group Planning Director: Stuart Hayhurst Production Company: Smith and Jones Films, LA & London Director: Ulf Johansson Editorial Company: EXILE Edit Editor: Katie Turinski Animation and Post-production: Framestore Music Studio: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Senior Sound Designer/Mixer: Drew Fischer Senior Music Post Producer: Maggie Flatley Senior Audio Post Producer: Dennis Samatulski Lead Assistant Composer: Justin Michael Miller Music Production Assistant: Lauren Chambers ADR Studio London: String and Tins Color: Royal Muster Senior Colorist: Roslyn Di Sisto

At Calxa, we’ve spent over a decade helping Not-for-Profits and small businesses take control of their budgeting and cashflow forecasting and we know just how powerful the right tech stack can be. Here’s the tech stack we built that keep our own finance operations running smoothly and helped us scale: Mayday – Simplifies our intercompany recharges and keeps month end consistent. Airwallex – Makes international payments effortless, from Ukraine to Switzerland, with great approval workflows and virtual cards. Calxa – Our own software for consolidated reporting and 3-way forecasting across group accounts. WHMCS – Manages our subscriptions reliably (even if it’s not the prettiest!) — now fully integrated with Xero thanks to our team. Xero – The glue that holds it all together at the general ledger level. I shared the full story with CFO Techstack about how we built Calxa’s internal tech stack and how these tools help us scale — you can read it here: https://lnkd.in/gdSZ2-AE CFO Techstack Mayday

At TWIYO, we work with start-ups and scale-ups to help them navigate complex financial challenges and unlock their full potential. When it comes to building scalable finance functions, here’s the tech stack we typically recommend for early-stage businesses: Xero The glue that holds everything together at the general ledger level. Mayday: Automates intercompany processes; we’ve helped several clients select Mayday and the efficiency gains are significant. Employment Hero: Our go-to for payroll; it’s worth the early investment for long-term scalability. Fathom: Powerful for reporting and consolidations, with customisable dashboards and forecasting. Hubdoc: A simple, effective first step into automated data capture and AP for early-stage businesses. I shared the full story, including why these tools make such a difference for startups, in my How I Stacked It feature on CFO Techstack: https://lnkd.in/g4g6x8Xa One other thing I'll add is that getting comfortable and really good with a base set of tools is really important. Changing for only small or aesthetic benefits doesn't always outweigh mastery, especially when doing it at scale.

So incredibly proud of our partners for the launch year of LIONS Sport. A brand new launch with the highest calibre of global brands supporting our 2 day forum to bring the entire sports ecosystem together at Cannes Lions International Festival of Creativity. Join attendees from Nike, Mercedes-Benz AG, Liverpool Football Club, Manchester City Football Club, Roc Nation, Arctos and McLaren Racing in the room where the blueprint for the best creativity is made. Final passes here: https://lnkd.in/e5T4chYu

Today’s a big one for our team. We’ve just launched Nexgate, our new platform designed to help our partners make better decisions, faster. Dealerships have more information available to them than ever before. But turning that information into confident decisions quickly isn't always easy. Our team has built Nexgate to solve exactly this, bringing sourcing, inventory, pricing, customer engagement and insights all into one connected platform. The goal isn't more information. It's knowing the next best move. I'm incredibly proud of the team behind this launch and excited about what's ahead for our dealer and OEM partners. We've got a strong product roadmap ahead and plenty more to come. This is an important milestone, but it's only the start of what we're building with Nexgate. https://www.nexgate.ai/ carsales for Business #Nexgate #carsalesforbusiness

So what's the best Instagram metric to track? Hint: it's not comments. I hope you’re already focusing your IG content strategy on Reels and Carousels, but more specifically, maxing out WATCH TIME for Reels while optimizing for SAVES on Carousels. That's what Caliber's pushing right now—they're the media company behind this 36-page social media report with new analytics thinking, content prioritization strategies and 30+ examples of trending content formats (you're gonna wanna download the whole thing, link at the end of this post). The Watch Time + Saves focus makes a lotta sense when you think about it. The Instagram algorithm's doing its best to figure out what's actually valuable to scrollers. If someone watches a full Reel? That's probably valuable. If someone slaps the save button on a Carousel? That means it's so good they wanna come back to it later. Go grab that report right over here, it's got a bunch of content examples my millennial self hadn't seen yet: https://bit.ly/4nVhnA1

There’s something different about talking to founders; the passion is personal. It’s bigger than the bottom line; it’s the why. Last week I sat down with Jess Devenport co founder of Paintillio who along with her partner Lyssa Kayra Lyssa took a hand-drawn experiment at one event and turned it into something repeatable without losing the bespoke feel. For anyone who hasn’t seen it: Paintillio turns a photo or brand image into a collaborative paint-by-number mural guests build tile by tile. Think 400–600 tiles at registration, a steady stream of micro-interactions, and a finished piece that lives on after the show. What stood out to me was their approach, simple, thoughtful, and tested through real interactions. They paid attention to how people engaged, refined what worked, and kept the heart of it intact. And the roots matter; women-owned, built in BC, and connected to local artists and community projects. Like the Vancouver Mural Festival 2024 Street Party, winner of Best Event for a Community-Based Non-Profit at the 2025 Canadian Event Awards There’s intention behind everything they do, and you can feel it in the way people participate. #eventplanners : If you’ve worked with Paintillio, I'd love to hear how you incorporated this awesome experience into your event #events #eventprofs

The 4 BIGGEST trends in social media right now… FYI, this is all proven. Direct from Caliber’s new report, The Drop. 1. Saves are the new flex (I’ve been trying to tell you!) - On TikTok and IG, saves are the quiet signal that your content is valuable enough to revisit. - The report shows how saves correlate to wider reach. 2. Watch time beats views - YouTube and Reels are rewarding accounts who hold attention, not just win the click. - Average view duration is the new CTR. 3. Audience specific feeds >>> - Each feed has two jobs - Content for non-followers (views) & content for fans (saves + shares). - The report breaks down how to design for both. ☝️that’s a bar. I love this point. 4. Format > frequency - Industry deep dives, “if you like X” recs, lo-fi nostalgia. - Fashion brands are proving that format choice matters more than posting every day. When I was a Social Lead for Ralph Lauren, I would build these reports for work. They already did the work. If you run social and want your 2026 plan to get you a raise, grab The Drop. Here’s the link 👉 https://bit.ly/4pulsMD Save it and send it to your team. #CaliberPartner

The upcoming midterms will be unlike any in recent history. The outcomes will shape domestic policy, international relations, and global perception of U.S. democracy. News organizations around the world are already mobilizing to cover what will be a high-stakes, high-scrutiny moment. At Broadcast Management Group, Inc., we have spent more than two decades producing election-cycle programming, town halls, convention coverage, Election Day and night broadcasts, and inaugurations for domestic and international broadcasters alike. One thing is clear: trusted production partners have never been more critical. As planning ramps up, the same questions surface every cycle: - Which states will be most influential? - Which candidates will resonate most with audiences? - What formats best serve the story? - How do we cover multiple cities consistently? - How do we support live programming under intense timelines and scrutiny? These are not theoretical questions. They are operational ones. We saw this firsthand while supporting Al Jazeera Network’s U.S. election town hall series. Over four weeks, the production moved city to city—Los Angeles, Dallas, Chicago, and Dearborn. Each stop required the same look, the same technical standards, and the same reliability, even as venues, crews, and local conditions changed weekly. That meant touring a custom-built set, managing lighting and video production, supporting live translation, and coordinating hundreds of crew members across multiple markets. To viewers, every broadcast felt identical. Same series. Different city. That is a realistic snapshot of what election coverage demands. The challenge is rarely about producing one show. The real test is whether you can: - Replicate a show across cities - Scale crews and infrastructure quickly - Maintain consistency under pressure - Adapt workflows without starting from scratch This is where centralized production models, REMI workflows, and experienced production management matter not as buzzwords, but as operational necessities. Election cycles compress timelines and raise the stakes. There is no margin for learning curves when the audience and the world is watching. As midterm planning accelerates, the question is not just who can produce the show, but who can carry it across markets, formats, and weeks without friction. That is the difference between a one-off production and an operation built for moments like these. See our Al Jazeera Case Study in the comments below👇

THE NEXT STEP Van 28 april tot en met 30 april organiseer ik samen met mijn collega's van BLUE MOON THE NEXT STEP; een showcase-experience evenement. The Next Step is speciaal ontworpen voor Facility-, AV-, IT- en communicatieteams die de toekomst van werkplekken, locaties en ervaringsgerichte omgevingen vormgeven. https://lnkd.in/eEn_FNwF Tegenwoordig zijn er oplossingen beschikbaar die niet alleen creatief zijn, maar ook betrouwbaar wat betreft rendement, schaalbaarheid en implementatie. Tijdens deze showcase kunt u met eigen ogen zien, horen en ervaren hoe deze technologieën vandaag de dag in concrete projecten worden toegepast. Benieuwd hoe deze technologieën jouw boardroom, auditorium, event venue of werkplek kunnen optimaliseren? Schrijf je in via deze link: https://lnkd.in/eEn_FNwF 👉 Je kan kiezen voor een perssonlijk slot, avond-, of ontbijtsessie

THE NEXT STEP From April 28 to April 30, together with my colleagues at BLUE MOON, we are organizing THE NEXT STEP; a showcase experience event. The Next Step is specifically designed for Facility, AV, IT, and Communication teams shaping the future of workplaces, venues, and experience-driven environments. https://lnkd.in/eKXDQGXv Today’s solutions go beyond creativity—they are also proven in terms of return on investment, scalability, and ease of implementation. During this showcase, you’ll experience firsthand how these technologies are already being applied in real-world projects. Curious how these technologies can optimize your boardroom, auditorium, event venue, or workplace? Register via this link: https://lnkd.in/eKXDQGXv 👉 You can choose between a daytime, evening, or breakfast session

Získat a udržet pozornost publika. To je podle mě klíč k úspěšné prezentaci i moderaci. Zažil jsem, jak umí s publikem pracovat Lucie Machackova, stand-up komička, spisovatelka a scenáristka v jedné osobě. To bylo pro mě rozhodující, abych jí s klidem mohl svěřit moderování hlavního programu konference Brand Management. Už za 4 týdny můžete Lucii v akci zažít taky. A já si konečně vychutnám konferenci i jako divák! Lucie je známá hlavně díky stand-up comedy, které se věnuje od roku 2014 v češtině a v angličtině. Se svou anglickou show vystupovala na pódiích v Německu, Maďarsku, Polsku, Rakousku i ve Velké Británii. Pravidelně se objevuje na televizních obrazovkách v pořadu Comedy Club na Paramount Network. Je autorkou komediálního bestselleru Historky z Tinderu 1 a 2, knihy o rodičovství a mateřství Protivný sprostý matky, kterou napsala na základě svého stejnojmenného pořadu na České televizi. Je držitelkou ceny Magnesia Litera v kategorii humoristické tvorby za knihu Svatební historky aneb Jak jsem se nevdala. Bonusem navíc je, že Lucie je z oboru – od roku 2011 pracuje v České televizi v divizi marketing, aktuálně jako brand manažerka! A to se na konferenci Brand Management dost hodí.

Byron Sharp je dnes ve světě marketingu pojmem. Stejně jako fyzická a mentální dostupnost, Distinctive Brand Assets či Light & Heavy Buyers. Zdomácněly pomalu už i v Česku. Málokdo ale ví, že za řadou výzkumů jeho Ehrenberg-Bass Institute stojí jeho dlouholetá kolegyně a spoluzakladatelka 𝗥𝗮𝗰𝗵𝗲𝗹 𝗞𝗲𝗻𝗻𝗲𝗱𝘆. Právě ta letos poprvé vystoupí v Praze. Setkáte se s ní 1. 10. na konferenci Brand Management 2026. V oblasti výzkumu reklamy se řadí mezi 1 % nejcitovanějších odborníků na světě. Svou kariéru v marketingovém výzkumu začínala před 25 lety přímo po boku legendárního Andrewa Ehrenberga. Spolupracovala s řadou globálních zadavatelů reklamy i mediálních společností, mezi něž patří například Unilever, Mars, Google, HSBC a mnoho dalších. Ve své současné roli Director of Product Development převádí výsledky výzkumu a vývoje Ehrenberg-Bass Institute do konkrétních produktů a služeb, které pomáhají firmám efektivněji budovat a rozvíjet jejich značky. Rachel Kennedy přijíždí do Prahy na pozvání Evidence-Based Marketing Academy, výběrového studijního programu, jehož několik absolventů se na konferenci Brand Management představí také v roli řečníků. Pokud máte zájem o studium dalšího ročníku EBMA, který začíná 11. září 2026, můžete získat 10% slevu na školné. Napište mi 📨

There’s a noticeable shift happening at Black Hat MEA this year, not just in who’s attending, but how they’re showing up. • We’re seeing more global brands moving decisively into the Saudi Cybersecurity market. • More announcements planned. • More intent from buyers. • And a stronger push for visibility, not just presence. This isn’t about being seen for the sake of it. It’s about being recognized in the right rooms, by the right people. With brands like Fortinet, Google Cloud Security, and Trend Micro, and many more already confirmed, it’s clear the tone for 2025 is being set by the market leaders. If this shift resonates with how your team is thinking about visibility and market engagement, it’s something worth keeping an eye on. You can reach out to us directly or click here to enquire if you'd like to explore what that could look like at Black Hat MEA 👉 👉 https://lnkd.in/gr6kCNqn #BlackHatMEA #Cybersecurity #StrategicGrowth #KSA #TechLeadership #CommercialVisibility

🚀 Satellite to VOIP: The Biggest Shift in Broadcast You’re Not Talking About Yet The rise of REMI didn’t just change how we produce live content—it changed how we move signals. When the pandemic hit, remote production exploded overnight. At Broadcast Management Group, Inc., we had already been building decentralized REMI workflows, but suddenly the demand for high-quality, low-latency IP transport went through the roof. And that pressure created innovation: 🔹 Connectivity improved 🔹 Latency dropped 🔹 Security hardened 🔹 New hardware/software ecosystems emerged What started as a REMI revolution has evolved into something bigger: a full-scale shift away from satellite and toward secure, resilient, broadcast-grade VoIP transmission—even for Tier-1 productions that were once done only on-site. And the impact has been massive: ✅ Lower carbon footprint ✅ Access to top creative/technical talent anywhere ✅ Reduced travel + operational cost ✅ Greater redundancy and resilience But here’s the real story… The shift is accelerating—fast. Today, major networks are moving their full-time transmission paths from satellite to IP. We’re talking: • 24/7 playout • Master control • Facility-to-facility connectivity • Global live transmission • Full remote operations This isn’t a future trend. It’s happening right now. At BMG, we see it every day: • Thousands of hours of live REMI programming through our DC NOC • Client facilities tied into our BMG Cloud Control Center™ via secure VOIP • Fully managed IP-based master control + global transmissions This is the new broadcast backbone. Whether you're a network, OTT/FAST channel, RSM, or enterprise brand, IP opens the door to more flexibility, lower cost, and higher quality—if you have the right infrastructure and the right partner. I'm curious to hear from my community: Are you already moving away from satellite? What’s been your biggest challenge—or biggest win—in shifting to IP transmission? Drop your thoughts below. 👇

𝗦𝘁𝗲𝗹𝗹𝗲𝗻 𝘄𝗶𝗿 𝘂𝗻𝘀 𝗱𝗲𝗻 𝗚𝗲𝗻𝗲𝗿𝗮𝘁𝗶𝗼𝗻𝗲𝗻𝘄𝗲𝗰𝗵𝘀𝗲𝗹 𝗶𝗻 𝗱𝗲𝗿 𝗕𝗶𝗼-𝗕𝗿𝗮𝗻𝗰𝗵𝗲 𝗺𝗮𝗻𝗰𝗵𝗺𝗮𝗹 𝘇𝘂 𝗿𝗼𝗺𝗮𝗻𝘁𝗶𝘀𝗰𝗵 𝘃𝗼𝗿? Nicht jede Familie kann oder will übernehmen. Nicht jede Gründer:innengeschichte lässt sich fortschreiben. Und nicht jede junge Stimme startet mit Rückenwind. Ich höre das immer wieder in Gesprächen mit Menschen, die genau an diesem Punkt stehen. Während Bio wächst und sich professionalisiert, entstehen neue Kapital- und Führungsmodelle – und neue Spannungen. Für mich bleibt die zentrale Frage: Wie behält Bio seine Werte, wenn Ownership, Führung und Verantwortung neu geordnet werden? Es gibt Beispiele, die zeigen, dass es familiär gelingen kann – wie Ölmühle Solling (Sarah Baensch und Sebastian Baensch), dennree GmbH (Lukas Nossol und Mareike Nossol) oder Neumarkter Lammsbräu Gebr. Ehrnsperger KG (Johannes Ehrnsperger). Und es gibt Unternehmen, die bewusst andere Wege gehen – wie Wholey (Philipp Stahr), KoRo (Michelle Calios Calios) oder die Bohlsener Mühle (Tillman Schulz Philip Luthardt) mit Beteiligungsmodellen, um Werteorientierung und Zukunftsfähigkeit zu verbinden. Beides ist Bio. Beides ist legitim. Und beides verdient eine ehrliche, differenzierte Diskussion. Unter dem Leitthema „Growing Tomorrow: Young Voices, Bold Visions“ schaffen wir auf der BIOFACH 2026 Raum für genau diesen Dialog. In vielen Vorträgen und Workshops und z.B. im SustainableFutureLab zum Thema „Wem gehört Bio?! Ownership, Money & Fame in der nächsten Bio-Ära“ moderiert vom GOOD FOOD COLLECTIVE Nora Taleb und Julian Stock am Donnerstag, 12.02. von 10:30-11:00 Uhr. Wer vorab stöbern möchte: Hier geht es zum Programm der BIOFACH 2026: https://lnkd.in/dRVH26Kh Was braucht es aus eurer Sicht, damit Nachfolge wirklich gelingt – jenseits von guten Absichten? #Unternehmensnachfolge #Generationenwechsel #ZukunftBio

Dutch office vacancy is at a 25-year low of 7.9% and Rotterdam posted Europe's strongest prime rental growth at +28%. We're unpacking it all on 15th September in Amsterdam! This is a big one for us. Netherlands Office: The Dutch Office Revival is our FIRST office sector event since Bisnow launched in the Netherlands, and the line-up reflects it. We're hosting at The Pulse on the Zuidas thanks to Union Investment. On stage: Ali Deha Otmar (Tristan Capital Partners), Alexandra Rosian (a.s.r. real assets), John Schepens (Time Equities Inc. / Netherlands), Bas Jochims (Bouwinvest Real Estate Investors), Luc Smits (LSI), Anja Kristina Köhler (Edge), Michiel Raaphorst (V8 architects), Roland Huitink (AkzoNobel), Marnix Mali (Booking.com) and William Newton (WiredScore), with Dirk-Jan Gondrie MRE (Dentons) and Bram Adema (CFP Green Buildings) moderating. Four sessions on the questions everyone in Dutch offices is asking right now. Is the investment comeback real or a false dawn? Which buildings actually pencil for retrofit under EPBD IV and which should be repurposed or demolished? And what does it mean for occupiers like AkzoNobel and Booking.com? With thanks to our sponsors Union Investment Real Estate GmbH, Dentons, WiredScore, CFP Green Buildings, V8 architects, Next Sense and Woodalls. Tickets are €98 and pricing moves up as tiers sell out, so grab yours here: https://lnkd.in/eQ3hziuM

𝗙𝗲𝗲𝗱𝗶𝗻𝗴 10 𝗯𝗶𝗹𝗹𝗶𝗼𝗻 𝗽𝗲𝗼𝗽𝗹𝗲 𝘀𝘂𝘀𝘁𝗮𝗶𝗻𝗮𝗯𝗹𝘆 𝗯𝘆 2050 𝗿𝗲𝗾𝘂𝗶𝗿𝗲𝘀 𝘂𝘀 𝘁𝗼 𝗿𝗲𝘁𝗵𝗶𝗻𝗸 𝘄𝗵𝗮𝘁 𝘄𝗲 𝗽𝘂𝘁 𝗼𝗻 𝗼𝘂𝗿 𝗽𝗹𝗮𝘁𝗲𝘀. 🍲 The 𝗣𝗹𝗮𝗻𝗲𝘁𝗮𝗿𝘆 𝗛𝗲𝗮𝗹𝘁𝗵 𝗗𝗶𝗲𝘁, as described in the BIOFACH Whitepaper on Planetary Health, is a flexible framework adaptable to any culture: - 50% of your plate from vegetables & fruit - Whole grains, legumes, nuts & healthy oils as staples - Moderate amounts of animal protein – adapted to local traditions Unlike restrictive diets, the PHD is culturally adaptable and works with Mediterranean, Ayurvedic, halal, kosher, and regional cuisines. It balances 𝗵𝘂𝗺𝗮𝗻 𝗵𝗲𝗮𝗹𝘁𝗵 with 𝗽𝗹𝗮𝗻𝗲𝘁𝗮𝗿𝘆 𝗹𝗶𝗺𝗶𝘁𝘀, helping to reduce greenhouse gas emissions, protect biodiversity, and 𝗽𝗿𝗲𝘃𝗲𝗻𝘁 𝘂𝗽 𝘁𝗼 11 𝗺𝗶𝗹𝗹𝗶𝗼𝗻 𝗽𝗿𝗲𝗺𝗮𝘁𝘂𝗿𝗲 𝗱𝗲𝗮𝘁𝗵𝘀 𝗽𝗲𝗿 𝘆𝗲𝗮𝗿. At #BIOFACH, you’ll discover how businesses and communities worldwide are implementing the PHD in real life. 👉🏻 Download our Planetary Health Whitepaper here: https://lnkd.in/eBUMQAEs 𝗛𝗼𝘄 𝘄𝗼𝘂𝗹𝗱 𝘆𝗼𝘂 𝗮𝗱𝗮𝗽𝘁 𝘁𝗵𝗲 𝗣𝗹𝗮𝗻𝗲𝘁𝗮𝗿𝘆 𝗛𝗲𝗮𝗹𝘁𝗵 𝗗𝗶𝗲𝘁 𝘁𝗼 𝘆𝗼𝘂𝗿 𝗰𝘂𝗹𝘁𝘂𝗿𝗲 𝗮𝗻𝗱 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆? If you’re interested or have questions leave a comment or send me a message.

It's just about last call to join us in London for a free BevNET.com Taste Radio Meetup at TRIP's beautiful HQ in Notting Hill on 2 October. Networking with brands, investors, & more + sampling, content, libations, & snacks. Details at the link in the comment below 👇 Special thanks Daniel Khoury Olivia Ferdi James Edmunds for hosting us + Doughlicious The London Dough Co. for supporting + my co-hosts Ray Latif Mike Schneider Jacqui Brugliera. Hoping we'll have a great turnout of London CPG folks Freya Twigden Oliver Dixon Hugh Duffie Tom Benn Joe Benn Dom Dalton Rahi Daneshmand Hugh Thomas James Beeson Alex Wright Chris Hannaway Tom Hannaway Maxwell Luthy Fabian Clark Steve Kearns Oscar Vallance Gunikka K Ahuja Julia Yacamán Alexa Fernandez Rich Goldsmith