Consortium (Music for Film, Brands, & TV)

Some facts about salt • Salt is vital for life. The body can’t function without it. • The right amount of salt keeps your heart, brain, and muscles working smoothly. • Every cell in the body relies on salt to operate properly. • Salt supports nerve function and muscle contraction. • Without salt, your body can’t maintain hydration or circulation. • Salt intake supports energy, focus, and physical endurance. • Salt isn’t optional, it’s elemental. Long story short it's very important. So here's last year's Salty Super Bowl Spot for Ritz with The Martin Agency agency starring Michael Shannon, Aubrey Plaza, and none other than the upcoming super bowl half time artist Bad Bunny 'Read the sign Bunny!' Music by Consortium. FULL CREDITS Client: Mondelēz International Brand: Ritz Creative Agency: The Martin Agency CEO: Danny Robinson CCO: Jerry Hoak ECD: Jordi Martinez Ortega Group Creative Director: Patricia Ortiz CDs: Frederick Nduna, Lindsey King Production Company: Gifted Youth Director: Jake Szymanski Socials Director: Oren Brimer Cinematographer: Kramer Morgenthau ASC EP: Josh Morse HoP: Cat Craven-Griffiths Producer: Stephan Mohammed Production Agency: PXP Global Production Lead: Julie Marchesseault SVP, Regional Production Lead: Pamela Serp US, HOP: Carol Powley VP, EP: Steve Intrabartola EP: John Riddle Production Planner: Rachel Startz Editorial Company: The Den Editorial Lead Editor: Katie Cali Senior Editors: Matthew Hilber, Dan de Winter, Pieter Viljoen Senior Cutting Assist: Josh Miller Assistant Editor: Quinn Else Senior EP, Edit: Jennifer Mersis EP, Edit: Andrea Aronson Producer: Lucia Villalta Music Studio: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Sound Design: Drew Fischer Music Post Producer: Maggie Flatley Senior Producer: Dennis Samatulski Assistant Composer: Justin Michael Miller Studio Production Assistant: Lauren Chambers Post Production: Harbor Picture Company EP, Advertising: T.J. Sponzo Senior VFX Producer: Greg Behrens HOP: Tia Perkins Credits continue in the comments

🚨 New Genre-you-didn't-realize-you-were-missing Alert: Facemelting Shaq-metal 🤘🤘 🧊🔥 Our post apocalyptic shred chugg brings the energy for the new IcyHot campaign with The Martin Agency as director Keith Schofield (Caviar) for the first time ever takes us beyond the rollerball and into the bottle where Shaq leads team hot and team cold on a fervent mission to save the day. The goal was to help evolve one of America's most recognizable brands - taking 25 years of brand awareness from Shaq holding up Icy Hot bottles and showing heat diagrams on his lower back and doing something a little more breakthough, fun and self aware. IcyHot needed energy energy energy that could carry a sports-driven hype spot which could have easily taken them to a place of horns and 808s, but we all united in wanting to find something more unexpected and fun. I just had no idea how well conceptually/contextually that Shaq and metal would work together - but now I'm fully ready for a Shaq rap rock record. Shaq -> 📞 💿 👇️ The full cavalry 👇️ Client: Icy Hot / Opella Agency: The Martin Agency Chief Executive Officer: Danny Robinson Chief Creative Officer: Jerry Hoak Executive Creative Director: Devon Hong Creative Director: Graham Davis Senior Copywriter: Chase Zreet Senior Art Director: Matt Cavallo Design Director: Judd Burnette SVP , Managing Director, Head of Integrated Production: Brett Alexander VP Executive Content Producer: Ann Parker Senior Content Producer: Mel Calabro Senior Art Producer: Sara Levi Senior Print/Product Producer: Jamie Dollins PRODUCTION Production Company: Caviar Director: Keith Schofield EP: Casey Wooden Producer: John Hardin Production Supervisor: Jordan Struble 1st AD: Phil Elins DP: Damian Acevedo Production Designer: Jorge Vujosevich Service Company: The Roots EP: Ariel Leon Isacovitch Producer: Carlos Llergo Editorial Company: Arcade Edit Partner/Executive Producer: Sila Soyer Editor: Ali Mao Assistant Editor: Thomas Bergerstock Senior Producer: Ellen Lavery Visual Effects: Artjail ECD/Partner/Founder: Steve Mottershead Managing Director/EP/Partner NY & LA: John Skeffington Head of Production NY & LA: Elizabeth Thuvanuti Keating EP / Head of Sales: Patrick Nugent Creative Director / Partner: Christoph Schröer Senior Producer: Keilah Ahmann Producer: Rebecca Gmerek Music: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Music Post Producer: Maggie Flatley Senior Producer: Dennis Samatulski Lead Assistant Composer: Justin Michael Miller Music Production Assistant: Lauren Chambers VFX Supervisor: Dirk Riesenfeld Audio Post: Sound Design + Mix: TINY LION

Music, SFX, VO Record & Mix by Consortium. Nature Valley // “We Make Nature Delicious" created by The Martin Agency and directed by Ulf Johansson (Smith and Jones Films, LA & London). A neurotic woodland fable about envy, longing, and granola bars. These animals have it all, nuts, berries, fish, friendship, but one look at a Nature Valley Crunchy Bar and the whole forest comes undone. We handled music, sound design, VO record, and mix on this campaign, building a full sonic world for these slightly unhinged woodland creatures. Musically, the goal was to channel their jealousy and yearning without losing the humor or heart. We explored everything from Morricone-inspired tension and Desplat meets Tennessee Ernie Ford woodland army marches to old-Hollywood nature waltzes and vintage ballads of heartbreak. Ultimately, the magic landed in an unexpected place, a warm, nostalgic, orchestrated soul palette that felt both cinematic and emotionally ridiculous in the best way. The kind of sound that draws you in with warmth and makes you empathize with a raccoon’s existential crisis. We recorded hyper-detailed macro SFX (real leaf crunches, claw scratches, bar snaps, and crumble textures) and built out warm lush environments to elicit a tactile sense of the forest and the food. Everything is mixed with precision and absurd sincerity, grounding the comedy in the sound of “too real.” VO was treated like a film performance, rich, cinematic, naturalistic and slightly melancholy, mixed warm to give the animals’ neurotic delivery a kind of strange human warmth. An entire sonic ecosystem of music, SFX, VO, and mix crafted to make you feel for some existentially confused puppets who just want some tasty snacks. CREDITS Client: Nature Valley Agency: The Martin Agency Senior Producer: Mel Calabro Executive Producer: Nicole Lederman Producer: Marjorie Fajardo SVP, Group Creative Director: Anne Marie Hite SVP, Group Account Director: Chuka Schneider Executive Creative Director: Ashley Davis Marshall 🖨️ Creative Director: Lindsey King ACD/Copywriter: Natalia Davila Account Supervisor: Salem Nippa Account Director: Sophie Wolf Account Executive: Heather Haynes Business Affairs Manager: Suzanne Wieringo Group Planning Director: Stuart Hayhurst Production Company: Smith and Jones Films, LA & London Director: Ulf Johansson Editorial Company: EXILE Edit Editor: Katie Turinski Animation and Post-production: Framestore Music Studio: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Senior Sound Designer/Mixer: Drew Fischer Senior Music Post Producer: Maggie Flatley Senior Audio Post Producer: Dennis Samatulski Lead Assistant Composer: Justin Michael Miller Music Production Assistant: Lauren Chambers ADR Studio London: String and Tins Color: Royal Muster Senior Colorist: Roslyn Di Sisto

New Genre Bending, Hyper-Charged, Post Punk, Mind-Arena Energy-Music Score Work with ProdCo and BigTime Creative Shop for Riyadh Season starring KSI, Speed, and Mr Beast. ‘Try Not To Enjoy It’ is directed by Gibson Hazard (the hyper charged visual alchemist behind projects for Drake, The Weeknd, and Travis Scott) this one’s pure adrenaline that never lets up The score needed to convey the escalations in competition, while playing to the contrasts between the highest levels of elegant, gentlemanly competition and extreme, adrenaline-inducing mind arena sprints. And also needed to lean into the humor in a cool way The score swings from prime-time sports face-off energy into new no waves of proto post-punk, then smashes through thx 80s synthwave territory into tension scored skewed Nolan-esque, wrong-prize-Oscar-meme story within a story theatrics. A Cy Dune-coded punk spirit layered with orchestral Oscar fanfare at the end before the back flip reality rug pull Elegant vs unhinged Cinematic chaos, big energy, humor that plays it straight but ridiculous, and music that feels like three genres colliding in slow motion. Hazard’s frame demands a soundtrack that is both architecture and explosion The music lives in that tension. Try Not To Have Fun Watching It 🤯 🤯 🤯 🤯 FULL CREDITS Director: Gibson Hazard Production Company: ProdCo ProdCo Co-founders / EPs: Ian Pons Jewell & Zico Judge Managing Director / Partner / EP: Jon Adams Head of Production: Sam Levene Producer: Doochy Moult Production Manager: Carmen Griffiths PAs: Matt Papworth, Manuela Sanchiz Garin DOP: Octavi Arias Creative Director: Jak Bannon 1st AD: James Sharpe Production Designer: Tim Gibson Wardrobe Stylist: Verity May Lane Hair & Make Up Artist: Freddie Stopler Client: Riyadh Season | موسم الرياض Agency: BigTime Creative Shop Chairman of General Entertainment Authority: Turki Alalshikh Chief Executive Officer: Mohammed Sehly Chief Creative Officer: Rayyan Aoun Creative Director: Saymon Medeiros Senior Agency Producer: Inas Nagy Associate Creative Director: Hazem Kamal Senior Copywriter: Eoin Cronolly Senior Art Director: Gustavo Martins Bilésimo Senior Editor: Mohamad Al Qarawi Head of Strategy: Callie Dickens Head of Innovation, Digital & Social Media: Nael Girgis Chief of Staff: Basma Sihli VFX: CGF Visual Effects Studio VFX Supervisor: Pavel Bezborodov VFX Supervisor On Set: Denis Reva Producers: Ekaterina Averina, Aleksandr Gorokhov VFX Coordinator: Irina Yakhnovskaya Edit: tenthree Editors: Sam Bould , Elena De Palma Assistant Editor: Rebecca Campbell EP: Sophie Honour Color: Alexander Zolotarev Sound Design & Mix: George Castle & James Benn Audio post: Harbor Picture Company Music Supervision: Half Sour Music Supervisor: Jon Rust Music Studio: Consortium (Music for Film, Brands, & TV) Composer/Creative Director: Seth Olinsky Senior Music Post Producer: Maggie Flatley Lead Assistant Composer: Justin Michael Miller

For Once, Don't Do It. Original score work for an emotional campaign by Wieden + Kennedy for Nike.

Post Genre re-arrangement, re-working, re-imagining of Beethoven's Ode to Joy into a double bass drum fueled shredding psycho metal extravaganza twisting and turning through countless subgenre portals like a hacked cyberbrain spiraling through infinite realities 🏅 Award winning trailer work for Netflix's animated series Cyberpunk: Edgerunners. Imagine Ode to Joy hijacked by a rogue AI, warping through glitching sound dimensions. One second, beautiful piano—then bam—it’s a double-kick thrash metal frenzy, then suddenly a synthwave dreamscape before plunging into breakcore mayhem. The music doesn’t just shift; it fractures through portals of sonic anarchy, each cut a new reality. 🤘 🎻 🤘